In this
scene, we see Fran and Peter at the end escaping the mall. From this, we see
our archetypal Final Girl and Male Hero who challenge their conventional
appearances. This is because we have a Blonde woman who is pregnant and a black
man. In the time of release, this would have been seen as uncommon, although we
can link this into George Romero’s auteur style through the fact of he is
anti-racist. We can compare this with George Romero's Night of the Living Dead (1968) where Ben (Duane Johnson) has also had his role flipped around and is the male hero. At the time, this would have been frowned upon by the American audience who weren't fond of the idea of a black person having more power than a white person. This scene is iconic as we see the last survivors and
leaves the audience on edge for a possible sequel. We also get the idea of an open ending as the last scene shows that they are low on fuel, leaving many possibilities as to what could happen. The close up allows us to see
their emotions, and their expressions show that the characters have become
tougher due to getting over their losses.
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