Tuesday, 26 November 2013

Class Research: Favourite Horror Sub-Genre


With this Pie chart, we can see what everyone in our A2 Media class prefers with their chosen genres by gender. This gives us an idea into specific stereotypes for genders and their chosen genre for horror. From this, we can tell that Psychological horror is the most fond with 12 votes, 9 of which are female. 

Resident Evil: Retribution (Paul W.S. Anderson, 2012) Film Review

ENSFC Media Studies
Film Review
Film Title – Resident Evil Retribution.
Year of Production – 
2012. 
Director – 
Paul W.S. Anderson.
Genre/Genres – 
Action, Horror, Sci-Fi, Thriller.

Brief Plot Outline - 
Alice awakes at home with her daughter Becky and her husband. But soon she realizes that she is actually in an Umbrella Corporation's underground facility. Out of the blue, the computer security system shuts-down and Alice flees to the central control room of the facility. She meets Ada Wong, who works with Albert Wesker, and she learns that a five-man team has been sent by Wesker to rescue them. However, the Red Queen sends Jill Valentine and Rain to hunt them down.
Which two scenes impressed you the most? Why?
Scene 1 – 
The Elevator fight scene.


  It a lot of different angles to it; High angles, low angles to it which sets power developments. One of my favourite shots is a long shot of Barry’s walking out and accepting defeat. From this we get a good look at the area and what he’s up against. This clip seemed to have collision cutting in it when it went from a silent atmosphere to a lot of things happening. In the Elevator fight scene, we see the death of Barry, one of the main characters on the survival team. Within this scene, Barry is shot by Luther (one of the villains) and as he hit the floor you presume he is dead. At this point it goes dead silent and within 5 seconds his eyes open bringing the music back and it jumps straight back into the action where he quickly shoots Luther.
Scene 2 – The city scene.


 In this scene, Alice and Ada (Main characters/Female Survivors) are against two of the BOW'S (main infected/slow moving monster). We see how they have to struggle with two guns against some giant undead monsters with axes. We see slow editing techniques as the monsters move in which then switches to some collision cutting as the music immediately starts with a lot of action. We see close ups of Ada as she is trapped in the bus to give an idea of her emotion which then switches to a POV shot of her looking at the axe. This scene is very good as we can see emotion from the character and makes the audience develop specific feelings for the victim.

How has watching this film helped you understand this genre of filmmaking? Which features on the genre checklist did you spot in the film? When? How?This film has helped me understand the horror genre by looking further into the Slow Moving Monsters subgenre of Zombies. With many different films related to them, we can see how they change when comparing the two (Resident Evil – Slow Zombies, 28 Days Later - Fast Zombies). The differences in gore seem to go by the speed of the action, as 28 Days Later has a lot more gore in it than Resident Evil, yet Resident Evil has a more understandable storyline with the gore being slower. From this, I’ve come to the conclusion that the slower zombie films usually drag out their gore to make the viewer shudder more, whilst faster zombies have much more gore but you don’t pay as much attention to it with how fast it goes.
Horror Genre Checklist -
Characters:
Slow Moving Monster – Zombies
Female Survivor – Alice, Ada
Male Hero – Chris
Helper – Wesker
Fast moving Monster – Jill

Editing:
Slow Editing – 
As the Biohazard walks from behind the bus – They seem to drag out the feeling as they are walking very slow.

Fast Editing – 
The laser grid scene – The lasers are moving at high speed in an attempt to kill Alice.
Collision Cutting – The laser grid scene – Quiet, nothing happening and as Alice walks in the room activates and everything is moving very fast.

Which aspects of the film would you like to INCLUDE in your own trailer? Why?I would like to put in the scene with the Biohazards. This is because it creates tension in the viewer as they wait to see what will emerge from behind the buses. In a trailer, there would only need to be a quick shot of something like a foot to show the overall size of this thing in comparison to the main characters and it would symbolise a boss fight. The thought of a giant boss that is an obstacle has always been one of my main things when watching horrors as it is an enemy that has been perked up and will require a lot of efforts for a group to kill.
Which aspects of the film would you like to AVOID in your own trailer? Why?I would like to avoid the long cuts of dialogue. This is because I’m not a fan of a long dialogue talk between two characters. Short discussions should be made under pressure and in a situation such as this a quick judgement would be best for time management. This lets the audience relate to the current situation in the film as they can get an idea on how it would be if it was real.What was the best aspect/more enjoyable moment of the film? Why? The best moment of this film would have to be the introduction for me. This is because we get a slight back story from the previous film that wasn’t put in so we are up to speed with what’s going on. I also like the idea of the previous main villain teaming up with the Heroes as it shows that in tight situations like this you can’t be having arguments.
Can you recreate this in your own film? How?
I can have a person portrayed as villainous so that the audience starts out by addressing him as the villain and then cut to a further scene of them all working together. This would put my viewers into confusion as to who is the overall enemy of this film, having a chance of more people being interested in the film to find out who it is that they are actually up against.How does the film reflect its institutional or historical context?This film portrays its historical context by relating back to the previous films with the characters. We can see this by seeing characters that were missing from previous films brought back to the camera. This is good as it shows how the film has adapted and how the characters personal files have changed since their first encounter. I particularly like this as it means a reunion of the heroes and also an addition of characters from just seeing Alice on her journey to find Wesker. We can see when this film is made on average by the scene where they are re-enacting the first signs of the outbreak in a massive testing ground of Tokyo. This gives us an idea into what is going on at the current time of the Zeitgeist through the advertisements placed around the city and the style of fashion that can be seen from the zombies. This scene also relates us back to the first film where we get a shot of how this outbreak started, showing relations back to previous additions of the film.

Resident Evil (Paul W.S Anderson, 2002) Film Review

ENSFC Media Studies Film Review
Film Title – Resident Evil.
Year of Production – 2002.
Director – Paul W.S. Anderson.
Genre/Genres – Action/Horror/Sci-Fi



Brief Plot Outline – Alice, the former chief of security has lost her memory of previous events and been put unconscious by a gas after the hive (main location) has been shut down due to quarantine. A military squad is ordered to investigate what has happened and has brought Alice down with them. Once down there, they find out that everyone has died, yet they have been brought back to live by a Virus developed in the Labs (T-Virus). The struggle of the main characters is to collect the sample of the T-Virus from the further parts of the lab and re-program the Red Queen (Main villain, computer projection and controller of the hive). After many people die trying to obtain this, Alice and a few more people manage to make it onto the train way back to the manor where they entered, only to find out that Spencer. (Alice’s false husband) was the one that let the T-Virus free on the lab and has tried to obtain it for his own needs. Alice is the only survivor and is then taken into custody by the Umbrella Corporation (Owners of the Hive).
Which two scenes impressed you the most? And why?
Scene 1 – 
The Laser Grid scene


 This scene is good as we see the multiple attempts to avoid being hit by this laser, although most attempts work, the final attempt ends up killing One. I liked this scene because it is repeated later on and gives a plot twist where Alice is nearly killed by it, to find one of the replicas of her stopping the laser from killing her.
Scene 2 – Final Train Run – I liked this scene as there is a lot going on at this time. The survivors have nearly escaped only to be stopped by one of the mutated animals that Umbrella had been working on. With little to no weapons, we see a different way of killing the Licker which hasn't linked in yet with how they have dealt with the previous problems.
How has watching this film helped you to understand this genre of film-making? – This film has made me understand the Horror genre by using one of the main horror conventions being the zombies. This links in with earlier film making by displaying a monster that hasn't changed over time since Night of the Living Dead. This lets me compare the two and figure out how the horror genre has advanced further than it could of before.
Features of the Genre Checklist:
Mise-En-Scene:

Blood and Gore – Blood is displayed throughout the whole film, used as background scenery on the walls, blood of the characters, blood on all the zombies.
Creepy Locations – Silent Lab underground. Develops entrapment, lab is seen as abandoned because of the lack of workers, conditions of it.
Low Key Lighting – Power is usually down forcing the characters to use Flashlights.
Characters and Representation:
Slow Moving Monster – 
Zombies.
Female Survivor – Alice.
Psycho/Serial Killer – Spencer.
Male Hero – Matt.

28 Weeks Later Poster Analysis

28 Weeks Later Poster Analysis
-Year created: 2007.
-Country: UK/Spain.
-Type of Horror: Horror/Sci-Fi/Thriller.
-Target Audience: 18+ Male.
-Main image shows a Soldier with a gun ready to protect. The whole outlay of this image relates to Quarantine.
-Colour scheme keeping to mainly Red/ Cream.

The Orphanage Poster Analysis

 The Orphanage Poster Analysis

-Year created: 2007.
-Country: Spain.
-Type of Horror: Drama/Mystery/Thriller.
-Target Audience: 16+ Both Genders.
-Main Image of the Villain surrounded by Ghosts of Victims.
-Center Bottom Gothic Text, representable to the setting given (Old Fashioned).
-Light Colour scheme, unconventional to Horror.

Nightmare On Elm Street Poster Analysis

Nightmare On Elm Street Poster Analysis
-Year created: 2010 (Re-released).
-Country: USA.
-Type of Horror: Thriller/Mystery/Slasher.
-Target Audience: 18+ Male.
-Main Image of central Female Character Powerless. Villain in the background with all the power (not seeing his face).
-Colour scheme of a Fiery Red and Black.
-Gothic Red Text Centre Bottom.
-Sub Header develops fear with “He knows where you sleep”. Nowhere is safe effect. 

Terror Vision Poster Analysis

Terror Vision Poster Analysis
-Year created: 1986.
-Country: USA.
-Type of Horror: Sci-Fi/Comedy.
-Target Audience: 18+ at the time of creation. Both Genders.
-Sci-Fi/Medieval Horror text. Ideological to Dracula?
-Main Image of an Eye sets the Villain/Killer.
-Colour scheme of Purple/Blue stereotypical to Sci-Fi genre.
-Text located Centre Bottom, Sub header Centre Top.

Quarantine Poster Analysis

Quarantine Poster Analysis
-Year created: 2008.
-Country: USA.
-Type of Horror: Sci-Fi/Thriller.
-Target Audience: 16+ Male.
-Green colour stereotypical to common Sci-Fi’s.
-Centre Bottom text, Font represents the Sci-Fi genre.
-Female Character in pain, representable to common horror posters of Female entrapment/danger.
-Sub Header gives a back story and a punch line being “Until now”. Gives the audience a reason to watch it.

Final Destination 4 Poster Analysis

Final Destination 4 Poster Analysis
-Year created: 2009.
-Country: USA.
-Type of Horror: Mystery.
-Target Audience: 16+ Both Genders.
-Sub-Header stereotypical to Death’s “Rest in Peace”. Relates to the shattered cover.
-Blue/Black are the main colours, events aren’t murders but “natural” events.
-Gothic Text Centre Bottom, lighting effect on top of the main text.
-Main Image of suffering/Skull. Represents Death.

Scream 4 Poster Analysis

Scream 4 Poster analysis
Scream 4 poster
-Year created: 2011.
-Country: USA.
-Type of Horror: Slasher/Mystery.
-Target Audience: 18+ Male.
-Mask is representable to the Target Audience, familiarity with it set within the previous films.
-Red “4” is eye catching, stereotypical colour to the horror genre.
-Blade on Mask connotes the choice of weapon used throughout the film.
-Bold, Centre Bottom text, triangle off coming the “M” stereotypical to a Knife (Chosen weapon).
-Main image of the Killer. Vicious, no emotion displayed.

The House Of Hammer Cover Analysis

The House Of Hammer Cover Analysis
Hammer House of Horror #10

-Year main focus point was created: 1961.
-Magazine’s publish date: 1980.
-Editor: Dez Skinn.
-Main image shows an extreme clos up of the villain, with victims placed below (power difference).
-Colour scheme of White, Yellow and Red.
-Bold text with a slightly cracked look to the chosen font (chips in the text).
-Sub headers relate to the main focus point.

-Cover has an old fashioned feel to it (basic editing).

Fangoria Magazine Cover Analysis

Fangoria Magazine Cover Analysis

-Magazine published – September (No year given).
-Main image of the villain, gives an insight into the main focus of the issue.
-Editor: Chis Alexander.
-Colour scheme varies between Red, Black and Yellow (Most of which are common colours used within the horror genre).
-Mastheads font stereotypical to a gothic look. 
-Main font is a bold plain text.
-All issues created by this brand follow a stereotypical style (Main image relating to their main focus with sub stories relatable to the genre).


- Sub header relates to a well-known item of people who are familiar with the genre.

Entertainment Weekly Magazine Cover Analysis

Entertainment Weekly Magazine Cover analysis

-Year main focus point was created: 2011.
-Magazine’s publish date: 15th April 2011.
-Editor: Mark Golin.
-Main image shows the villains face, an insight into the killer.
-Colour scheme stereotypical to the horror genre (Red, Black).
-Main cover line links in with the main image, relation between the overall topics of the issue.
-Bold, simple font used for the Masthead and coverlines, colour contrast on the Main cover line.
-Extreme close up on the main image. No background to set a storyline or give hints into the events of the film.

Monday, 25 November 2013

Let The Right One In: Film Analysis

Let the Right One In Analysis
Director – Tomas Alfredson.
Writer – John Ajvide Lindqvist.
Year Created – 2008.
Genre/Sub Genre – Drama/Horror.
Country – Sweden.
Budget – $4,000,000 (Estimated).
Gross - £878,070 (UK).
Age Certificate – 15+.
Let the Right One In Poster Deconstruction
Characters:
-Kare Hedebrant – Oskar.
-Lina Leandersson (Elif Cevlan, Voice) – Eli.
-Per Ragnar – Hakan.
-Karin Bergquist – Erik.
-Henrik Dahl – Yvonne.
-Peter Carlberg – Lacke.
-Ika Nord – Virginia.
-Mikael Rahm – Jocke.
-Karl Robert Lindgren – Gosta.
-Anders T. Peedu – Morgan.
-Pale Olofsson – Larry.
-Cayetano Ruiz – Magister Avila.
-Johan Somnes – Andreas.
-Patrik Rydmark – Conny.
-Mikael Erhardsson – Martin.
-Rasmus Luthander – Jimmy.
-Soren Kallstigen – Erik’s Friend.
-Bernt Ostman – Virginia’s Nurse.
-Kajsa Linderholm – Teacher.
Overview of Let the Right One In:
Let the Right One In is a film of a lonely boy naked Oskar who is bulled daily at his school. He is commonly referred to as a pig which ties in with the first quote which is Squeal like a Pig. So, squeal”. It isn’t until a new family move to the neighbourhood but do not mix in well with the community. Oskar immediately falls for Eli, his new neighbour who is actually a vampire. No matter how much she denies him, he is persistent up to the point of which they are friends. Eli, who relies on Hakan to kill people for her so she can live, finds it hard after Hakan messes up and gets himself caught attempting to murder a college student. It is at this point that Eli feeds on him before he dies after leaning out of the Hospital window to see her (Links back to the thought of Vampires having to be invited in). Eli and Oskar becomes a couple at this point and she gives him the strength to fight back against the bullies. This is where Oskar hits Conny who threatens to push him in freezing water. Oskar learns the realisation of what Eli is and is there to help her. As Eli leaves because it becomes far too dangerous, Conny’s Brother Jimmy decides to attempt to attack Oskar whilst he is having a swim. It is at this point that Eli comes to his rescue murdering Jimmy, and eventually running away with Oskar as her new Helper.
Todorov’s theory in placement of this film:
When reviewing this film, there are key points that can be linked back to Todorov’s theory of how a story is placed. His theory is as follows:
-Equilibrium (Normality).
-Disequilibrium (Conflict/Disruption of the Equilibrium).
-Recognition of the Disequilibrium (Notices the disruption).
-Attempts to repair the Disequilibrium.
-New Equilibrium (New normality).

We can see this theory in placement very well by following this for a basic structure:
Equilibrium – Oskar is lonely and bullied, nobody is willing to help him and he won’t stand up for himself.
Disequilibrium – A new family arrives in the neighborhood and people start dying horrid deaths.
Recognition of Disequilibrium – Oskar and Eli have become friends and Oskar realizes what Eli is when she drinks his blood off the floor after he cuts his hand.
Attempts to repair the Disequilibrium – Eli tries to leave as it is becoming too dangerous for Oskar.
New Equilibrium – Eli comes back to help Oskar whose life is in danger because of Jimmy, from which they both leave together.
Levi Strauss’s theory in placement of this film:
When we look at Levi Strauss’s theory, he believes that there are common characteristics hidden behind how we see the Hero and the Villain in a film. We can see his theory shown below:
HERO
VILLAIN
Good
Evil
Native
Outside
Love
Hate
Handsome
Ugly

When we look at this related to let the Right One In, it is somewhat unjustified as the Hero and Villain follow the same stereotypes. There is a slight difference with the Villains attitudes by picking on Oskar but they show no sign of differences in personal appearance. This sets them as a common human yet their villainous side is mainly on the inside with the intentions of violence.
 


This image is a good example of the balance of Heroes and Villains with Conny (Left) and Oskar (Right). I specifically chose this image because it is iconic to the theory that the hero is always displayed on the right in conjunction to the villain who is placed on the left side of an image.
 

Evil Dead 2: Film Analysis

Director – Sam Raimi.
Writer – Sam Raimi, Scott Spiegel.
Year Created – 1987.
Genre/Sub Genre – Comedy/Fantasy/Horror.
Country – USA.
Budget - $3,600,000 (Estimate).
Gross: $5,923,044 (USA).
Age Certificate – 15+.

Evil Dead 2 Poster Deconstruction
                                      
                                                                        Characters:
                                                       -
Bruce Campbell – Ash Williams
-Sarah Berry – Annie Knowby
-Dan Hicks – Jake
-Kassie DePaiva – Bobby Joe
-Ted Raimi – Possessed Henrietta
-Denise Bixler – Linda.
-Richard Domeier – Professor Ed Getley
-John Peaks – Professor Knowby
-Lou Hancock – Henrietta Knowby

Overview of Evil Dead 2:
Evil Dead 2 is a film about a man called Ash who arrives at a Cabin disclosed in the Forest with his Girlfriend Linda. Their plans for a romantic weekend get cut short when Ash plays a tape recorder with reads a passage from something called “The Book of the Dead”. This summons the undead from which Linda is kidnapped and murdered. As the night goes on, strange events begin to occur to Ash one of which involves him beheading Linda’s controlled Corpse. As more events are brought to place, Ash ends up having to cut off his hand. Around this time, Annie, the daughter of the Professor who owns the cabin arrives with two people named Jake and Bobby Joe. Seeing the mess and her parents missing she assumes that Ash is a murderer and lock him in the basement. After realisation, they let him out and attempt to figure out how to escape. This leads to the spirit of the Professor arriving and explaining that the only way to defeat the evil is to read a passage from the final pages of the book from which Annie brought with her. As Bobby Joe runs off in fear, Jake turns on Ash and Annie who are unwilling to go into the forest to look for her seeming how they see the realisation of what happened to Bobby Joe. As Jake is murdered, Annie reads the last few passages as they fight for their lives against the main monster; they successfully open the portal to vanquish the dead although Ash gets sucked into it too. This leads him to the 14thCentury from where he is forced to battle against more of the dead, imprisoning him in this time period and concluding the film.

Todorov’s theory in placement of this film: When reviewing this film, there are key points that can be linked back to Todorov’s theory of how a story is placed. His theory is as follows:
-Equilibrium (Normality).
-Disequilibrium (Conflict/Disruption of the Equilibrium).
-Recognition of the disequilibrium (Notices the disruption).
-Attempts to repair the disequilibrium.
-New equilibrium (New normality).

When looking at this, we can see how this is shown within Evil Dead 2. Below I will give examples referring to the story as to how this theory is carried out in this film.
Equilibrium-Ash and his girlfriend Linda expect a romantic weekend out, staying the night in a nice, peaceful cabin out in the woods secluded from the rest of society.
Disequilibrium– Ash plays a tape recorder which states passages that summon the undead by reading a segment from “The book of the dead”. This summons the undead into the forest.
Recognition of disequilibrium – As the Ash hears a scream from his girlfriend Linda, he investigates to find her missing and the window smashed, presuming she has been kidnapped or is dead. It is at this point where the realisation of what is going on happens and the equilibrium is disturbed.
Attempts to repair disequilibrium – The fight for survival whilst finding a way to vanquish the undead summoned, with help from others he manages to send the dead back into a portal which banishes them from the current time zone.
New equilibrium – Ash has landed in the 14th century where he will begin to fight off the undead there and is seen as a saviour to the people of that time for defeating the undead they encounter.
Levi Strauss’s theory in placement of this film: When we look at Levi Strauss’s theory, he believes that there are common characteristics hidden behind how we see the Hero and the Villain in a film. We can see his theory shown below:
HERO
VILLAIN
Good
Evil
Native
Outside
Love
Hate
Handsome
Ugly

When we look at this in comparison to the hero and villain of Evil Dead 2, we can see that this fits in very well shown below as the hero being someone who would be your average guy with nothing wrong in his life compared to this evil, disgusting demon.


After looking at the above images, we can see that Levi Strauss’s theory ties in very well with this film, displaying the main characters through specific characteristics in their appearances and this will change how the audience’s views on both characters will be.

As this film is of the horror genre, we see how the characters standardised settings are placed in with this theory too. This is because Levi Strauss had a theory as to how certain characters were symbolised by the settings and their back stories to give a different impression towards the audience, giving them a liking towards what character they prefer.
GOOD
EVIL
Day
Night
Light
Dark
Christian
Supernatural
Innocence
Violation

Barthes’s theory in relation to this film – Action Code: When we look at Barthes theory, it has slight relations towards Todorov’s theories. This allows us to already have some idea behind how we will anticipate the films ending and judge it at the end once we see the results. When looking directly at the horror genre, there are specific things we can learn from this as to how specific characters will act.
Action
Assumption
Going into a dark alley/room alone
Going to die
Being promiscuous or flirty/suggestive
Going to die
Virgin, good hearted female
Will live

When looking at this, we can link it straght back to Evil Dead 2 by the following:
Action
What Happens
Runs into Forest alone
Dies
Runs after his Girlfriend in the Forest
Dies
Tries to save them all
Lives from what we know of

Barthe’s theory in relation to this film – Enigma Code: Another one of Barthe’s theories is the “Enigma Code”. This is usually based around the Thriller/Mystery Sub-Genre and leaves the spectator wondering who the killer is and why they are doing this. This is used to leave the audience questioning the actions of a character, drawing up a mystery in the plot. In ways, this links back to Evil Dead 2 in the sense that we have a slight understanding as to who the killer is but we don’t have an idea as to why they are carrying out these actions. This leaves the audience wondering as to why the actions are actually happening and if they will be explained in the future.
Barthe’s theory in relation to this film – Semantic Code:
Barthe’s theory on the “Semantic Code” relates into the main connotations of the film. This lets us link certain items into a stereotypical representation. For example, the colour red links back to Blood in the Horror Genre. This as shown in Evil Dead 2 describes murder or pain amongst a character and sets common characteristics for Horror. It also sets common iconic items into placement, such as the Machete becoming a very well-known item for the Horror Genre. In relation to Evil Dead 2, we have the chainsaw as an iconic weapon seen in many other Horror films allowing a connection between this and another film.
Barthe’s theory in relation to this film – Symbolic Code: This theory allows us to see characteristics described in the characters dominance in the situations. This lets us link how they react to certain situations depending on the current actions. If we look at Evil Dead 2, we see that this theory is argued against for quite a bit of the film. This is with Ash and Annie showing strength and courage in comparison to Jake and Bobby Joe who are both petrified. This battles Gender stereotypes with a strong male and female in conjunction with a weak male and female. This balances Gender representation and sets an equality issue in the film.Barthe’s theory in relation to this film– Cultural Code: When looking at this theory, it is how the audience relates the events of the film to a historical event. This lets us see a relation to events and places that have occurred in the past giving us an understanding into current events in this time period. I personally would say this is challenged in Evil Dead 2 seeming how it doesn’t give much of a background into the historical events. Although, at the end of the film we see the 14th Century, giving an understanding into common beliefs of the people of this time, being afraid of demons.
Propp’s theory in relation to this film – 7 Spheres of Action
Hero:
When looking at the film, the character sent there to protect them is portrayed mainly as Ash, risking his life to push back the spirits of the Dead.

Villain:
The villain in Evil Dead 2 is clear to be the dark spirits that come from the Book of the Dead. This is because of all their destructive powers and in relation to all the people that were killed because of this.
Dispatcher:
There isn’t really a Dispatcher displayed within the film. Although I chose to put Ash as the Dispatcher. This is because he is the one to initially start his own journey by fighting for survival to restore the equilibrium.
Donor:
In my opinion, the Donor of Evil Dead 2 would have to be Annie’s Father, the Professor. This is because of the information he gives them regarding the remaining pages of the Book of the Dead and its abilities to vanquish the evil.
Helper:
I would say Annie is the Helper seeming how she is the only other one actually putting in any form of effort to defeat the evil. We see this through her attempts to get the pages and her ability to read them.
Heroine:
The Heroine would also have to be Annie; this is because by the end of the film she seems to be the one that Ash is protecting. This gives Annie connection to the Hero and although it isn’t a happy ending with them together, he protects her with his life and she lives from what we know.
False Hero:
The main moment when a False Hero is displayed is when Jake turns on Ash and Annie to go looking for Bobby Joe. This shown him turning on the Hero and Heroine to complete his own goals, displaying his form of betrayal.
This battles Gender stereotypes with a strong male and female in conjunction with a weak male and female. This balances Gender representation and sets an equality issue in the film.